Thursday, January 9, 2014
LARGE HONORS
Wednesday, January 8, 2014
GENTLE PRESENCE
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"Last Days of Summer", acrylic,' by Parastoo Ganjei |
Tuesday, January 7, 2014
JOURNAL
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Muddy Waters |
Monday, January 6, 2014
JOURNAL
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"Getting Home", oil, by Robin Weiss |
FOG IN THE MORNING
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"Fog in the Forest", oil, by Randall David Tipton |
The flog flowed in
and found him breathing deeply.
He did that sometimes,
just filled his lungs
and let the bountiful forces of life
flood through him,
like the fog unfurling
across the back yard just now,
just now when numberless wonders
are unrolling around the world
and he’s feeling something
overflowing through him
as he sits beside her
in the sunroom.
Saturday, January 4, 2014
AT 8:42 A.M.
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"Sink", oil, by Nancy Spielman |
He heard the humidifier misting
in its sunny way, and then the
faucet
in the kitchen flowing freely,
and then some papers she was
folding,
and then a voice message on her phone,
and then the furnace,
far off in the cellar,
saying all was warm and safe
and happiness is here.
72 GOING ON 16
I know I’m not really 16, not really a kid with a kid’s muscles and lungs, but I felt like it today as I shoveled snow from our driveway. The seven inches of snow was almost downy, so it sort of sailed off my shovel, making the work much easier than I had anticipated. I felt youthful and frolicsome as I swung the shovel back and forth, sending great sprays of snow into sizeable hills beside the driveway. I remembered all the cautions about senior citizens straining too much with a snow shovel, so I paused often, rested on my shovel, and savored the classic snowy scene around the neighborhood. When I finally finished completely clearing the driveway, I stood silently for a moment, and suddenly I was 16 again, back in Webster Groves, surveying a smoothly shoveled driveway before driving out to pick up my date.
Luckily, I’m actually 72 and had a gorgeous girlfriend waiting inside with a cup of hot tea.
Wednesday, January 1, 2014
ONE-DAY BOOKS
THE
PEARL, BY JOHN STEINBECK
Delycia
and I promised ourselves several weeks ago that we will spend one day each
month of 2014 reading a single book from start to finish, even if we have to
read from dawn to dark. We thought it might be fun to immerse ourselves in a
book for a single day, to saturate ourselves with it and slowly soak it up in an
uninterrupted way. Of course, it’s fairly easy for us to do this in these
retirement years. We can wake in the morning with no responsibilities other
than to turn the pages of the book we’ve chosen for that day. We’re thinking of
these special days as sort of one-day reading carnivals, non-stop festivals of sentences,
day-long parties with plots and characters.
Today
we had fun with our first one-day book, John Steinbeck’s The Pearl. We read, paused to discuss, read some more, took notes,
took some lunch, and let the last few pages linger along to the bittersweet
ending. It’s a short book, a good way to start our year-long project. Next up,
on February 5, is a surprise book for Delycia. Can’t wait for the party!
Tuesday, December 31, 2013
BACKGROUNDS
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"Chicago Theater', pastel, by Karen Margulis |
As I was reading this morning, I stopped for a moment and listened to the background sounds in the house – the humming of the furnace in the cellar, the steady ticking of the pendulum clock, the clicking of keys as Delycia typed on her laptop -- and it started me wondering about other backgrounds in my life, other unnoticed backdrops against which the small dramas of my days are played out. In a way, my life is a little play on a stage as old as light-years and as widespread as the universe, and the backgrounds, whether miniscule or immense, are always strange in the best ways. It surprises me that I almost never notice these backgrounds -- the bright blue sky above me as I walk into the supermarket, the air circulating through Mystic in various ways, the hundreds of homes standing motionless like sets on a stage, and the light of the sunshine, which, even on cloudy days, shines around us like theater lighting. These are just some of the superb settings in the center of which I play out the short-lived show of my life -- settings that would astound me if I ever started noticing them.
Monday, December 30, 2013
SLIVERS AND SPECKS
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"Crescent Moon", oil, by Elizabeth Fraser |
Wednesday, December 25, 2013
RISING
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"Christmas Morning", oil, by Heidi Malott |
Tuesday, December 24, 2013
SHEPHERDS ON THE PHONE
Monday, December 23, 2013
THE LITTLE TOWN INSIDE
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"Follow that Star", oil, Roxanne Steed |
These
days, “O Little Town of Bethlehem” is a much- loved song, and this morning it
made me think about a “little town” I have inside me. In the song, the town is
described as being “still” and “silent” as it waited to receive the good news
of the birth of Jesus, and I sometimes have to be still and silent as I await
the arrival of feelings like hopefulness and confidence. When, as happens
occasionally to all of us, my life seems dark like the skies over Bethlehem, I
sometimes have to simply sit in stillness, deep inside, hoping that a little
light will shine somewhere, like a star over a stable. Not much good news is
given in the midst of clamor and uproar, but if I can settle myself into a sort
of hushed state of readiness, like little Bethlehem in the song, I often see
something utterly fresh enter my life – something like a new birth, something
like the beginning, again, of serenity and understanding.
Saturday, December 21, 2013
SEASON OF LIGHT
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"Streetlight", oil, by Sharon Schock |
Friday, December 20, 2013
LAUGHTER AND HEALING
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Dan Potter and the Second Step Players |
Thursday, December 19, 2013
ALL SORTS OF ALLELUIAS
Thursday, December 19, 2013
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"White Christmas", oil, by Delilah Smith |
Along with the alleluias that will be sung in churches these next few days, I’ll
be singing a special sort of alleluia now and then. I don’t go to church, but I
often choose to silently say praises to the “Lord” I have come to believe in –
not the distant and bewildering god I knew as a boy, but the infinite Spirit of
goodness and concord that controls this universe I live in. I see reasons for
alleluias all around me, every day, every moment. The stoplights that flashed this
morning so the traffic flowed safely along, the checkout woman at Target who
smiled at us so sincerely, the furnace in our cellar that’s now singing and
sending up heat for us – all of these are reasons for rejoicing. My god is simple
goodness – the goodness I saw today in the girl who said “excuse me” as she
passed my in a store aisle, and the goodness I felt when a clerk kindly smiled
and showed us the way to the Christmas section. It wasn’t a star-sprinkled or
saintly or pious kind of goodness, just the simple and sincere goodness that’s
cared for the human race forever. I said several silent alleluias as we shopped
today – quiet praises for the generosity of the healthy and bountiful forces
that flow through all things at all times, not just at Christmas.
Wednesday, December 18, 2013
WRITING LIKE A HOLIDAY
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"Holiday Blooms", oil, by Dana Cooper |
The artist Paul Klee once said that art should be like a holiday - something to give the artist the opportunity to see things differently and to change her or his point of view – and I have gradually grown to feel the same about writing. Now, in my 72nd year, when I sit with my laptop and start tapping the keys, it’s as if I’ve set out on a holiday escapade, as if restrictions have been rescinded and boundaries broken down. The words seem to lead the way, and I just cheerfully follow along to see what surprises will show up. These days, when I begin writing, it’s like I'm leaving behind rules and strategies and boundaries, and simply wandering in a boundless land. Writing for me has become a sort of free-wheeling adventure, a time to celebrate the unlimited freedom of thought that all of us possess, a time to revel and carouse with phrases and sentences to see what wonders might arise. It’s my daily holiday in retirement, a vacation in the wide-ranging kingdom of words.
Tuesday, December 17, 2013
SOFTLY FALLING THOUGHTS
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"Times Square Snowstorm", oil, by Kay Crain |
Monday, December 16, 2013
NEWS TO TELL FROM A MOUNTAIN
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"Hunter Mountain Vista", oil, by Jamie Williams Grossman |
During a sparkling holiday concert by the Coast Guard Academy Band last night, the soloist, a gifted young soprano, sang “Go Tell It on the Mountain”, and it made me also want to tell a few things on some mountain. From her mountain, the soloist wanted to say the good news that Jesus was born, but I want to say some other, less celebrated good news. I want to say, for instance, that there’s far more love in the world than wickedness; that the great power and stretched-out arm of sincerity is stronger than deceitfulness; that the greatness and power and glory of life is in kindheartedness, not in acrimony; that the sometimes destructive “wisdom” of the adult world is, thankfully, utter foolishness to children; that the invisible things of life are more wonderful than the visible; that the spirit of love is more uplifting than the spirit of gossip; that, if we open our eyes and hearts, we can know the things that are freely given to us by love; that goodness, not money, makes a person mighty; that the power of kindness can shatter fears and worries; that compassion has done great things for all of us; that cheerfulness always defeats defeatism; and that gentleness was and is and will be, forever.
Maybe I should find a mountain somewhere and start climbing.
Saturday, December 14, 2013
A GREAT LIGHT
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"Snowy Field", oil, by Heidi Malott |
Friday, December 13, 2013
ROOTS BESIDE A STREAM
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"New Snow", oil, by Delilah Smith |
Thursday, December 12, 2013
FINDING YOUR OWN BEST WAY
-- from “The
Phantom Tollbooth”
Delycia
and I attended a performance of “The Phantom Tollbooth” at Pine Point School
(Stonington, CT) today, and it was clear from the start that the young actors
had “found their own way”. I know the school well, so it didn’t surprise me
that the dancers and singers showed such suppleness and versatility, each of
them fitting into the performance by flowing along in their own best way. In
fact, “find your own best way” might be watchwords for the school, since
students and teachers have been doing just that for decades – working with each
other to find each one’s perfect path of learning. There was uniqueness all
over the stage this afternoon as dozens of performers presented us with their
singular talents. There was togetherness, of course, as the students blended
their skills to make a cohesive show, but what impressed me most was the individuality
– the distinctiveness – of each of
the boys and girls on stage. Each showed a special kind of youthful stateliness
and magnificence as she or he danced and sang. Like thousands of Pine Point
students since 1948, the performers today were young people with poise and the
courage to create something exceptional with their own inimitable talents.
Wednesday, December 11, 2013
SHYNESS AND QUIET DAYS
Sometimes
I think my granddaughter is simply shy, but sometimes I know that what we call
shyness is never simple. Perhaps a person we call shy might just be like a
silent, peaceful day, one that we love for its serenity. Ava might be a person
who’s pleased to share her peacefulness in a hushed, unspoken way – not always throwing
her arms around everyone, but simply sharing the sunshine of her life by being
with us in her quiet manner. The dawn of a lovely day doesn’t dash up to greet
us, but gently presents itself in its settled and lovely way, and so does
six-year-old Ava. When Delycia and I arrive for a visit, there she is, standing
prim and silent, with a modest but shining smile. She’s shy, perhaps, but shy
like sunshine on a mild morning.
Tuesday, December 10, 2013
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"Hudson River Magic", oil, by Jamie Williams Grossman |
That’s
a personalized, custom-made kind of magic that happens always and endlessly,
not just at Christmas -- certainly a reason for a heartfelt alleluia.
Monday, December 9, 2013
SOARING IN CONNECTICUT
When seagulls soar along the shore, they maintain height without flapping their wings – in other words, without working extra hard – and I soared in somewhat the same way at “Make We Joy”, the winter solstice celebration at Connecticut College’s Harkness Chapel. I was sitting beside Delycia, but I felt like I was flying for most of the hour, just floating along on the cheerful spirits arising from the singing and dancing. Like a seagull, I soared without exerting myself, gliding with no effort on an easygoing breeze of gladness.
Then, in the evening, we saw Handel’s Messiah performed at St. Patrick’s Cathedral in Norwich, a building that soars in its own special way. Situated in a small, unexceptional city in New England, this church ascends in a spacious manner, the walls and pillars surging up to the impressive dome, and I did some surging myself as I listened to the performance. In my mind, in a lazy and loose way, I effortlessly rose and spiraled and coasted along on the music.
The seagulls I’ve seen couldn’t have done it any better.
Friday, December 6, 2013
ALWAYS DANCING
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"Black and White Flourish", charcoal, by Connie Chadwell |
Yes,
Delycia and I are always dancing, like it or not, so why not take some lessons
to learn how to take our already classy dancing to a superior level?
Thursday, December 5, 2013
BRAKING PERFECTLY
Driving
home from the gym this morning, I applied the brakes at a stoplight, and, for
some reason, it seemed like I did it perfectly. It felt like I couldn’t have braked
any better, like I was a first-class user of brakes. I felt like a prizewinner
among drivers, a champion of the brake pedal. A few minutes later, I saw a tree
limb shake in a wind, and it appeared to shake in a superb way. The shaking somehow
had an appearance of refinement and finesse. It seemed like the crème de la crème of branch shakings. Then, a few blocks down the road, I
made a wrong turn, but – you guessed it – the thought came to me that I made
that mistake in a flawless manner. I goofed, but in a great and perfect way. It
was a blunder, but it seemed to be a beautiful one.
Turning
into our driveway, I wondered: Is perfection
everywhere, if we look carefully
enough?
Wednesday, December 4, 2013
IS THE UNIVERSE TIRED?
I woke up
this morning still feeling tired, but then it occurred to me that the universe
surely never feels that way – and I am
part of the universe. If I looked out at the ocean waves on a windy day and
saw what seemed to be a separate wave that, for a split second, was smaller
than the others, would I say the wave was “tired”? If I saw the wind blowing
strongly at one end of our yard but only softly where I was standing, would
that mean the soft breeze was “worn out”? If I was standing beside a river and
noticed that the current moved more slowly near some debris, would I say the
water in that part of the river was “weary”? The universe is an immense
creation, and every part of it has a job to do at any particular moment – a job
that blends in beautifully with the infinite number of other jobs. No action of
the universe is “wide awake” or “tired”, “good” or “bad”. It just is.
When I awoke this morning, I put a label on the situation, an old habit of
mine. I called it “tired” when I should have just called it “not wanting to get
out of bed”. Some breezes blow softly, and some people don’t jump out of bed in
the morning. It’s not bad or good. It’s just the way the universe works.
Tuesday, December 3, 2013
WAITING WITH PASSION
I want to become an expert at waiting. I
don’t mean restaurant table-waiting, or the kind of waiting that involves being
dissatisfied with the present and impatient for something better in the future.
No, I want to wait by simply remaining in readiness. I want to be perfectly content
to stay in the present moment, quietly watch what happens next, and attentively
take pleasure in the mysteries of life as it unfolds. I want to wait by being good-naturedly
ready for whatever the universe has prepared for me, and I want to do it in a
wholehearted way. I want to wait with enthusiasm for the next surprise, the
next revelation, the next miracle, all of which will be constantly appearing, if
I stay observant. I want waiting to become my pastime and my passion. Instead
of always doing and dashing, I want to alertly and eagerly wait. If someone
asks me what I do, I want to say, “I wait.”
Monday, December 2, 2013
WORDS ARE LIFE

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